A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Thomas Weelkes Thomas Weelkes

Poet B

Thomas Tomkins Thomas Tomkins
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 78% Poems 83% Blended 80%
Swap sides Another related pair
Thomas Weelkes

Thomas Weelkes

25 October 1576 – November 1623 (~47)
2 live poems · English

In the golden twilight of the English Renaissance, when the echoes of Shakespeare's verse still rang through London's theaters and the madrigal reached its most exquisite flowering, Thomas Weelkes emerged as one of the most distinctive and emotionally powerful composers of his generation. Born around 1576 and dying in 1623, Weelkes lived through one of the most extraordinary periods in English cultural history, creat…

“These six dishes full of divers madrigals, the first fruits of my barren ground, unripe in regard of time, unsavoury in respect of others. Therefore taste, and again I pray you: if they like your appetite, spare not my orchard; if they offend your stomach, lay them by to ripen, and you shall prove of my latter vintage.”

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Longing, Irony, Sensuality
Thomas Tomkins

Thomas Tomkins

1572 – 9 June 1656 (~84)
2 live poems · English

In the twilight of the English Renaissance, as the sun dipped behind the hills of a vanishing golden age, there stood a solitary figure whose music shimmered with the last glow of that era’s brilliance — Thomas Tomkins, composer, organist, and quiet poet of sound. Born in 1572, in the cathedral town of St. David’s, Wales, and passing into silence in 1656, in the shadowed aftermath of civil war and Puritan upheaval, T…

“To make the SemBrife Into two minums, The prick semBrife in to three”

Neighbourhood: Lute-Song Composers
Emotional landscape: Sorrow, Tenderness, Joy

In time

Thomas Weelkes
Thomas Tomkins
1572 1656
They overlapped for 48 years (1576–1623). When Thomas Weelkes was born, Thomas Tomkins was about 4. Thomas Tomkins was about 51 when Thomas Weelkes died.

On the map

About 324 km separate Elstead, Surrey, England from St. David's, Pembrokeshire, Wales. Both have ground in England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

music composer cathedral

Thomas Weelkes: elstead, winchester college, chichester cathedral, as vesta was from latmos hill descending, the triumphes of oriana, madrigals to 3, 4, 5, & 6 voyces, ayeres or phantasticke spirites, edmund spenser. Thomas Tomkins: st. david's, wales, william byrd, gloucester cathedral, chapel royal, o sing unto the lord a new song, the triumphs of oriana, a sad pavan for these distracted times.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Some men desire spouses
Thomas Weelkes
75%
Compare
Too much I once lamented
Thomas Tomkins
The gods have heard my vows
Thomas Weelkes
73% love
Compare
Weep no more, thou sorry boy
Thomas Tomkins
The gods have heard my vows
Thomas Weelkes
72% love
Compare
Too much I once lamented
Thomas Tomkins

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Thomas Weelkes: Longing, Irony, Sensuality. Thomas Tomkins: Sorrow, Tenderness, Joy.

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