Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
J.G. Holland
Alfred Kreymborg
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Josiah Gilbert Holland, known to his immense nineteenth-century readership as J. G. Holland and, in his newspaper essays, as “Timothy Titcomb,” was born on 24 July 1819 in Belchertown, Massachusetts, and died on 12 October 1881 in New York City. During his lifetime he occupied an unusually broad place in American literary culture: he was a physician by training, a journalist, editor, moral essayist, novelist, biograp…
“Calmness is the cradle of power.”
In the early decades of the twentieth century, when American poetry was struggling to break free from the strictures of Victorian convention, a slight, chess-obsessed son of German immigrants emerged as one of the most influential figures in literary modernism. Alfred Kreymborg, born on December 10, 1883, in New York City, would become far more than a poet. He was a literary impresario, a talent scout with an uncanny…
“An editor's primary duty to his contributors is to print them without making them pay for the privilege.”
About 219 km separate Belchertown, Massachusetts, USA from New York City, New York, USA. Both have ground in New York City and New York.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
J.G. Holland: belchertown, massachusetts, timothy titcomb, bitter-sweet, kathrina: her life and mine, history of western massachusetts, springfield republican, samuel bowles. Alfred Kreymborg: new york city, german immigrants, greenwich village, alfred stieglitz, the glebe, des imagistes, imagism, others: a magazine of the new verse.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
J.G. Holland: Spirituality, Longing, Sorrow. Alfred Kreymborg: Wonder, Longing, Spirituality.
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