Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Cecil Frances Alexander
Thomas Hood
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Cecil Frances Alexander, born Cecil Frances Humphreys on 14 April 1818 and dead on 12 October 1895, became one of the most widely sung and influential hymn writers of the nineteenth century. Her name may be less immediately familiar than the opening lines of her best-known hymns, yet “Once in Royal David’s City,” “All Things Bright and Beautiful,” “There Is a Green Hill Far Away,” and “Jesus Calls Us o’er the Tumult”…
“Thank God! I do like to hear that.”
Thomas Hood was born in London on 23 May 1799 and died there on 3 May 1845, only twenty days short of his forty-sixth birthday. He occupies a distinctive, sometimes deceptively difficult place in English literary history. To generations of readers he has been the author of jokes, puns, comic ballads, and apparently effortless verbal absurdities; to others he is the compassionate author of “The Song of the Shirt” and…
“A certain amount of opposition is a great help to a man. Kites rise against, not with, the wind.”
About 465 km separate Dublin, Ireland from The Poultry, Cheapside, London. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Cecil Frances Alexander: anglo-irish protestant, william alexander, once in royal david's city, all things bright and beautiful, there is a green hill far away, jesus calls us o’er the tumult, hymns for little children, verses for holy seasons. Thomas Hood: london, the song of the shirt, the bridge of sighs, j. h. reynolds, whims and oddities, the dream of eugene aram, faithless sally brown, the plea of the midsummer fairies.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Cecil Frances Alexander: Spirituality, Wonder, Joy. Thomas Hood: Longing, Sorrow, Despair.
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