A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Elizabeth Prentiss Elizabeth Prentiss

Poet B

Sara Teasdale Sara Teasdale
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 74% Poems 83% Blended 78%
Swap sides Another related pair
Elizabeth Prentiss

Elizabeth Prentiss

26 October 1818 – 13 August 1878 (~60)
3 live poems · English

Elizabeth Prentiss, born Elizabeth Payson on 26 October 1818 in Portland, Maine, and dead on 13 August 1878 in Dorset, Vermont, belonged to that important company of nineteenth-century American women whose literary influence was felt most deeply in homes, churches, and private devotional reading rather than in the official institutions of literary prestige. She was a poet, hymn writer, novelist, teacher, minister’s w…

“The loss of a mother is never made up or atoned for; and ours was such a mother.”

Neighbourhood: American Poets, Devotional Poets, Hymn Writers, Women Poets
Emotional landscape: Spirituality, Peace, Tenderness
Sara Teasdale

Sara Teasdale

8 August 1884 – 29 January 1933 (~49)
25 live poems · English

Sara Teasdale was born on 8 August 1884 in St. Louis, Missouri, and died there on 29 January 1933. During her lifetime she became one of the best-known American lyric poets of the early twentieth century, admired for verse that appeared effortless: brief, melodious, emotionally direct, and exquisitely shaped. Her poems spoke of love, solitude, desire, beauty, loss, the changing seasons, and death. Their clarity made…

“Beauty is not a luxury; it is a necessity of the spirit.”

Neighbourhood: American Poets, Confessional Poets, Edwardian Poets, Nature Poets, Women Poets
Emotional landscape: Longing, Sorrow, Tenderness

In time

Elizabeth Prentiss
Sara Teasdale
1818 1933
Their lives did not overlap. 6 years separate the earlier death from the later birth.

On the map

About 1,755 km separate Portland, Maine, USA from St. Louis, Missouri, USA. Shared ground: United States.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

women

Elizabeth Prentiss: portland, maine, dorset, vermont, more love to thee, o christ, stepping heavenward, george lewis prentiss, edward payson, second congregational church, evangelical fiction. Sara Teasdale: st. louis, sonnets to duse, helen of troy, rivers to the sea, love songs, vachel lindsay, ernst filsinger, mary institute.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Not Poor
Elizabeth Prentiss
77%
Compare
The Poorhouse
Sara Teasdale
Healing
Elizabeth Prentiss
75% self
Compare
The River
Sara Teasdale
Healing
Elizabeth Prentiss
74% life
Compare
The Poorhouse
Sara Teasdale
Healing
Elizabeth Prentiss
74% desire
Compare
Youth and the Pilgrim
Sara Teasdale
Not Poor
Elizabeth Prentiss
74%
Compare
Alone
Sara Teasdale
Not Poor
Elizabeth Prentiss
74%
Compare
Pity
Sara Teasdale

The world around them

Emotional landscapes

Elizabeth Prentiss: Spirituality, Peace, Tenderness. Sara Teasdale: Longing, Sorrow, Tenderness.

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