A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Phineas Fletcher Phineas Fletcher

Poet B

Edmund Spenser Edmund Spenser
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 76% Poems 82% Blended 79%
Swap sides Another related pair
Phineas Fletcher

Phineas Fletcher

8 April 1582 – 13 December 1650 (~68)
2 live poems · English

Phineas Fletcher, baptized on 8 April 1582 and buried in December 1650, was one of the most ambitious English poets of the generation after Edmund Spenser. He lived through the last decades of Elizabeth I, the reigns of James I and Charles I, and the early upheavals of the Civil War, yet his own life was comparatively quiet: he was a scholar, priest, husband, father, country rector, and author. His reputation has nev…

Neighbourhood: Devotional Poets, Metaphysical Poets, Nature Poets, Renaissance Poets
Emotional landscape: Spirituality, Despair, Longing
Edmund Spenser

Edmund Spenser

c. 1552 – 13 January 1599 (~47)
4 live poems · English

Edmund Spenser, born about 1552 and dead on 13 January 1599, was the most ambitious English poet of the later Elizabethan age and one of the chief architects of the English literary canon. His achievement rests above all on The Faerie Queene, the vast unfinished romance-epic through which he attempted to give Protestant England a national mythology, a moral education, and a poetic language equal to those of classical…

“To some I know this method will seem displeasing, which had rather have good discipline delivered plainly in way of precepts, or sermoned at large.”

Neighbourhood: Elizabethan Poets, Irish Poets, Nature Poets, Political Poets, Renaissance Poets
Emotional landscape: Wonder, Spirituality, Tenderness

In time

Phineas Fletcher
Edmund Spenser
1552 1650
They overlapped for 18 years (1582–1599). When Phineas Fletcher was born, Edmund Spenser was about 30. Phineas Fletcher was about 17 when Edmund Spenser died.

On the map

About 65 km separate Cranbrook, Kent, England from London, England. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

the faerie queene pastoral

Phineas Fletcher: cranbrook, giles fletcher the elder, giles fletcher the younger, sorrow's joy, the faerie queene, locustae, vel pietas jesuitica, hilgay, king's college, cambridge. Edmund Spenser: the faerie queene, london, geoffrey chaucer, robert dudley, sir philip sidney, the shepheardes calender, colonial ireland, kilcolman castle.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

A vow
Phineas Fletcher
76% divine, spiritual
Compare
Men call you fayre
Edmund Spenser
Against a Rich Man Despising Povertie
Phineas Fletcher
76% divine, spiritual
Compare
Men call you fayre
Edmund Spenser
A vow
Phineas Fletcher
76% love, death, life
Compare
Fayre eyes
Edmund Spenser
Against a Rich Man Despising Povertie
Phineas Fletcher
73% life
Compare
Fayre eyes
Edmund Spenser
A vow
Phineas Fletcher
73% divine, life
Compare
The glorious portrait of that Angel's face
Edmund Spenser

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Phineas Fletcher: Spirituality, Despair, Longing. Edmund Spenser: Wonder, Spirituality, Tenderness.

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