Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Henry Wadsworth Longfellow
Philip Freneau
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Henry Wadsworth Longfellow was born on 27 February 1807 in Portland, Maine, then a bustling coastal town in Massachusetts, and died on 24 March 1882 in Cambridge, Massachusetts. During his lifetime he became, by a considerable margin, the most famous American poet of the nineteenth century. His verses were memorized in schools, recited in parlors, printed in newspapers, sung, parodied, and carried across the Atlantic…
“Music is the universal language of mankind.”
Philip Morin Freneau was born on 2 January 1752 in New York City and died on 18 December 1832 near his home in Monmouth County, New Jersey. During his long and restless life, he became a poet, sailor, merchant, editor, polemicist, farmer, husband, father, and partisan journalist. He has often been called the “Poet of the American Revolution,” a useful but incomplete title. Freneau did give memorable literary shape to…
“This is the last time I shall enter into such a business; it worries me to death and by no means suits my giddy, wandring brain.”
About 450 km separate Portland, Maine, USA from New York City, New York, USA. Shared ground: United States.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Henry Wadsworth Longfellow: portland maine, bowdoin college, nathaniel hawthorne, frances appleton, paul revere’s ride, the village blacksmith, the song of hiawatha, outre-mer. Philip Freneau: new york city, monmouth county, the rising glory of america, james madison, hugh henry brackenridge, the wild honey suckle, the indian burying ground, the british prison ship.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Henry Wadsworth Longfellow: Spirituality, Longing, Wonder. Philip Freneau: Tenderness, Sorrow, Despair.
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