Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
“Aytoun was one of those rare spirits who could marry wit with patriotism, and scholarship with song.” William Edmondstoune Aytoun was born on the 21st of June, 1813, in Edinburgh — that granite nest of poets, philosophers, and lawyers, often called the ‘Athens of the North’. To be born in Edinburgh in the early nineteenth century was, for a young man of letters, a sort of birthright into Scotland’s intellectual aris…
The Woodberrys—or Woodburys, as various spellings of the name exist—were an old New England family who had immigrated early in the colonial period and established deep roots along Massachusetts's North Shore. Since settlement took hold in Beverly and neighboring seaport towns, the family had been native to this maritime region, and many of Woodberry's forebears were sea captains and sailors. This ancestral connection…
“The great use of life is to spend it for something that outlasts life.”
Neighbourhood:
American Poets, Edwardian Poets, Nature Poets, Victorian Poets
They overlapped for 11 years (1855–1865).
When George Edward Woodberry was born, William Edmondstoune Aytoun was about 42.
George Edward Woodberry was about 10 when William Edmondstoune Aytoun died.
About 4,915 km separate
Edinburgh, Scotland from
Beverly, Massachusetts, USA.
Different countries, different weather — unless a poem carries one landscape into the other.
William Edmondstoune Aytoun:
edinburgh, scottish identity, the book of ballads, lays of the scottish cavaliers, jacobite uprisings, blackwood's edinburgh magazine, the bon gaultier ballads, jane emily wilson.
George Edward Woodberry:
massachusetts, harvard college, edgar allan poe, the north shore watch, the nation, columbia university, comparative literature, philosophy.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.