A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Sara Teasdale Sara Teasdale

Poet B

Marjorie L. C. Pickthall Marjorie L. C. Pickthall
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 78% Poems 88% Blended 82%
Swap sides Another related pair
Sara Teasdale

Sara Teasdale

8 August 1884 – 29 January 1933 (~49)
25 live poems · English

Sara Teasdale was born on 8 August 1884 in St. Louis, Missouri, and died there on 29 January 1933. During her lifetime she became one of the best-known American lyric poets of the early twentieth century, admired for verse that appeared effortless: brief, melodious, emotionally direct, and exquisitely shaped. Her poems spoke of love, solitude, desire, beauty, loss, the changing seasons, and death. Their clarity made…

“The warmth of the idea that generated the poem should make it clear, ductile, a finished creation, before it touches cold white paper.”

Neighbourhood: American Poets, Confessional Poets, Edwardian Poets, Nature Poets, Women Poets
Emotional landscape: Longing, Sorrow, Tenderness
Marjorie L. C. Pickthall

Marjorie L. C. Pickthall

14 September 1883 – 22 April 1922 (~39)
2 live poems · English

Marjorie Lowry Christie Pickthall was born on 14 September 1883 at Gunnersbury, then in Middlesex, England, and died on 22 April 1922 in Vancouver, British Columbia. During her lifetime she was among the best-known and most admired poets in Canada, a writer whose delicately fashioned lyrics, religious imagination, and exact attention to the natural world won readers on both sides of the Atlantic. Her posthumous reput…

“I cannot give up my work. It is quite impossible to do so, and I have never yet met the man who will consent to my keeping on with it after marriage.”

Neighbourhood: Devotional Poets, Edwardian Poets, Nature Poets, Women Poets
Emotional landscape: Peace, Tenderness, Wonder

In time

Sara Teasdale
Marjorie L. C. Pickthall
1883 1933
They overlapped for 39 years (1884–1922). When Sara Teasdale was born, Marjorie L. C. Pickthall was about 1. Sara Teasdale was about 38 when Marjorie L. C. Pickthall died.

On the map

About 6,751 km separate St. Louis, Missouri, USA from Gunnersbury, Middlesex, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

women woman

Sara Teasdale: st. louis, sonnets to duse, helen of troy, rivers to the sea, love songs, vachel lindsay, ernst filsinger, mary institute. Marjorie L. C. Pickthall: gunnersbury, vancouver, two ears of corn, the drift of pinions, charles g. d. roberts, canadian poets, victorian aestheticism, catholic church.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Youth and the Pilgrim
Sara Teasdale
81% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
A Maiden
Sara Teasdale
80% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
Pity
Sara Teasdale
80% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
The Rose
Sara Teasdale
80% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
Wild Asters
Sara Teasdale
80% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
The Metropolitan Tower
Sara Teasdale
79% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Sara Teasdale: Longing, Sorrow, Tenderness. Marjorie L. C. Pickthall: Peace, Tenderness, Wonder.

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