A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Mathilde Blind Mathilde Blind

Poet B

Myra Viola Wilds Myra Viola Wilds
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 75% Poems 83% Blended 79%
Swap sides Another related pair
Mathilde Blind

Mathilde Blind

21 March 1841 – 26 November 1896 (~55)
6 live poems · English

In the pantheon of Victorian literature, where names like Tennyson, Browning, and Christina Rossetti shine brightest, the figure of Mathilde Blind occupies a curious position—both central and marginal, celebrated and forgotten. Born into revolution and raised in exile, Blind carved out a unique space in the literary landscape of nineteenth-century Britain as a poet, translator, and pioneering feminist voice. Her life…

“From the present she turned to the past, from the native to the foreign, from the domestic to the historical.”

Neighbourhood: Political Poets, Pre-Raphaelite Poets, Victorian Poets, Women Poets
Emotional landscape: Longing, Sorrow, Tenderness
Myra Viola Wilds

Myra Viola Wilds

c. 1880 – c. 1935 (~55)
2 live poems · English

Myra Viola Wilds, born about 1880 and believed to have died about 1935, occupies an unusual and moving place in the history of American poetry. Her surviving reputation rests principally on a single small book, Thoughts of Idle Hours, published in 1915, yet the modest scale of that achievement should not obscure its significance. Wilds was a Kentucky-born poet, a dressmaker, a woman with limited formal education, and…

“I send out my first little book trusting it may find kind, considerate friends.”

Neighbourhood: African American Poets, American Poets, Harlem Renaissance, Women Poets
Emotional landscape: Wonder, Peace, Spirituality

In time

Mathilde Blind
Myra Viola Wilds
1841 1935
They overlapped for 17 years (1880–1896). When Myra Viola Wilds was born, Mathilde Blind was about 39. Myra Viola Wilds was about 16 when Mathilde Blind died.

On the map

About 7,064 km separate Mannheim, Baden, Germany from Mount Ollie, Kentucky, USA. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

women

Mathilde Blind: mannheim, german revolutionary, karl blind, the prophecy of saint oran, the heather on fire, highland clearances, george eliot, the ascent of man. Myra Viola Wilds: mount ollie, kentucky, thoughts of idle hours, blindness, dressmaker, 1915 publication, sunshine, limited education.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

On and On
Mathilde Blind
74%
Compare
Thoughts
Myra Viola Wilds
The Dead
Mathilde Blind
74% life
Compare
Thoughts
Myra Viola Wilds
Love, oh, Love's a dainty sweeting
Mathilde Blind
73% love
Compare
Dewdrops
Myra Viola Wilds
Love, oh, Love's a dainty sweeting
Mathilde Blind
73% love
Compare
Thoughts
Myra Viola Wilds
On and On
Mathilde Blind
73%
Compare
Dewdrops
Myra Viola Wilds
Suffering
Mathilde Blind
71% life
Compare
Thoughts
Myra Viola Wilds

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Mathilde Blind: Longing, Sorrow, Tenderness. Myra Viola Wilds: Wonder, Peace, Spirituality.

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