Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Cecil Frances Alexander
Edith M. Thomas
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Cecil Frances Alexander, born Cecil Frances Humphreys on 14 April 1818 and dead on 12 October 1895, became one of the most widely sung and influential hymn writers of the nineteenth century. Her name may be less immediately familiar than the opening lines of her best-known hymns, yet “Once in Royal David’s City,” “All Things Bright and Beautiful,” “There Is a Green Hill Far Away,” and “Jesus Calls Us o’er the Tumult”…
“Thank God! I do like to hear that.”
Edith Matilda Thomas was born on 12 August 1854 in Chatham, Ohio, and died on 13 September 1925 in New York City. During her lifetime she was admired as one of the most accomplished American lyric poets of the late nineteenth century, praised by editors, fellow writers, and readers for verse that joined close observation of nature to emotional reserve, formal intelligence, and a searching spiritual imagination. Yet s…
“Great are my riches.”
About 5,696 km separate Dublin, Ireland from Chatham, Ohio, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Cecil Frances Alexander: anglo-irish protestant, william alexander, once in royal david's city, all things bright and beautiful, there is a green hill far away, jesus calls us o’er the tumult, hymns for little children, verses for holy seasons. Edith M. Thomas: chatham, ohio, new york city, helen hunt jackson, a new year's masque, the inverted torch, lyrics and sonnets, northeastern ohio, romantic poetry.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Cecil Frances Alexander: Spirituality, Wonder, Joy. Edith M. Thomas: Sorrow, Longing, Despair.
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