A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

I want a simpler life, without the hassle of being online. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the life I want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Countee Cullen Countee Cullen

Poet B

George Marion McClellan George Marion McClellan
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 78% Poems 87% Blended 82%
Swap sides Another related pair
Countee Cullen

Countee Cullen

30 May 1903 – 9 January 1946 (~43)
4 live poems · English

On May 30, 1903, a child was born who would become one of the most celebrated voices of the Harlem Renaissance, yet whose origins remain shrouded in the kind of mystery that seems almost poetic in retrospect. Countee Cullen's exact birthplace has been disputed—some records suggest New York City, others Louisville, Kentucky, and still others Baltimore, Maryland. This uncertainty about his origins would prove oddly fit…

“Never having been one to think all subjects and forms proper for poetic consideration, I regard these jazz poems as interlopers in the company of the truly beautiful poems in other sections of the book.”

Neighbourhood: African American Poets, American Poets, Harlem Renaissance, Political Poets, Social Justice Poets
Emotional landscape: Wonder, Spirituality, Tenderness
George Marion McClellan

George Marion McClellan

29 September 1860 – 17 May 1934 (~74)
4 live poems · English

George Marion McClellan was born on 29 September 1860 near Belfast, Tennessee, and died on 17 May 1934. His lifetime stretched from the final year of slavery in the United States through the Civil War, Reconstruction, the consolidation of Jim Crow segregation, the Great Migration, and the Harlem Renaissance. To read his poetry only as the work of a minor late-Victorian versifier would be to miss the extraordinary his…

“Whatever power any writing can have can only be in proportion to its real merit in the thought-world, regardless of all source from which it came.”

Neighbourhood: African American Poets, American Poets, Death & Mortality, Harlem Renaissance, Nature Poets, Social Justice Poets
Emotional landscape: Longing, Sorrow, Tenderness

In time

Countee Cullen
George Marion McClellan
1860 1946
They overlapped for 32 years (1903–1934). When Countee Cullen was born, George Marion McClellan was about 43. Countee Cullen was about 31 when George Marion McClellan died.

On the map

About 318 km separate Louisville, Kentucky, USA from Belfast, Tennessee, USA. Both have ground in Louisville and Kentucky.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

harlem renaissance harlem african racial

Countee Cullen: harlem renaissance, new york city, w.e.b. du bois, color, yet do i marvel, incident, copper sun, the ballad of the brown girl. George Marion McClellan: belfast, tennessee, fisk university, hartford theological seminary, paul laurence dunbar, james weldon johnson, poems, the path of dreams, harlem renaissance.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Any Human to Another
Countee Cullen
79%
Compare
Resentment
George Marion McClellan
Any Human to Another
Countee Cullen
76%
Compare
Sustaining Hope
George Marion McClellan
To John Keats, Poet at Spring Time
Countee Cullen
74%
Compare
Sustaining Hope
George Marion McClellan
To John Keats, Poet at Spring Time
Countee Cullen
74%
Compare
Resentment
George Marion McClellan
To John Keats, Poet at Spring Time
Countee Cullen
74% world
Compare
In the Heart of a Rose
George Marion McClellan
Yet Do I Marvel
Countee Cullen
71%
Compare
A Butterfly in Church
George Marion McClellan

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Countee Cullen: Wonder, Spirituality, Tenderness. George Marion McClellan: Longing, Sorrow, Tenderness.

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