Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the pantheon of English Renaissance poetry, few figures embody the spirit of their age quite like Michael Drayton, a writer whose extraordinary career spanned nearly five decades and witnessed the reigns of Elizabeth I, James I, and Charles I. Born in 1563, the same year as Christopher Marlowe, Drayton would outlive most of his illustrious contemporaries to become one of the longest-serving poets of the English Re…
In the twilight of the Elizabethan age, when England's cultural flowering reached its zenith, a remarkable composer emerged whose keyboard works would outlive the very dynasty that witnessed his birth. Giles Farnaby, born around 1563 and departing this world in 1640, stands as one of the most distinctive voices of the English Renaissance, a master whose miniature musical portraits captured both the exuberance and mel…
Michael Drayton:
hartshill, warwickshire, anne goodere, poly-olbion, the harmony of the church, the shepherd's garland, the barons' wars, england's heroical epistles.
Giles Farnaby:
elizabethan age, london, fitzwilliam virginal book, william byrd, john bull, loth to depart, woody-cock, his rest.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.