A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Thomas Bateson Thomas Bateson

Poet B

James Graham James Graham
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 55% Poems 77% Blended 65%
Swap sides Another related pair
Thomas Bateson

Thomas Bateson

c. 1575 – March 1630 (~55)
2 live poems · English

In the golden twilight of the English Renaissance, when madrigals flourished in the courts and cathedrals of England and Ireland, few composers demonstrated such exquisite taste in wedding poetry to music as Thomas Bateson. Born around 1575 in the rolling countryside of Cheshire, this Anglo-Irish composer would become one of the most significant figures of the late Elizabethan and early Jacobean musical landscape, le…

“But whatsoever they are, yours they are, and for you only they were made. It was your good countenance that did encourage me to this; your love to music doth not only challenge it of me, but even the uttermost that music's art can afford; which if it were in me, I would most willingly offer to you.”

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Longing, Sorrow, Tenderness
James Graham

James Graham

1612 – 21 May 1650 (~38)
2 live poems · English

James Graham, first Marquess of Montrose, was born in 1612 and died on 21 May 1650. He occupies an unusual place in British literary and political history: a Scottish aristocrat whose short life contained religious revolution, civil war, spectacular military success, exile, defeat, and execution; a Royalist commander remembered as “the Great Montrose”; and a poet whose surviving verses, though few, have remained memo…

“I am come hither to lay down my life for the faith and cause of my king; and I am willing to die for it.”

Neighbourhood: Cavalier Poets, Love Poets, Scottish Poets
Emotional landscape: Sorrow, Despair, Fear

In time

Thomas Bateson
James Graham
1575 1650
They overlapped for 19 years (1612–1630). When James Graham was born, Thomas Bateson was about 37. James Graham was about 18 when Thomas Bateson died.

On the map

About 391 km separate Cheshire, England from House of Dun, Angus, Scotland. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

Thomas Bateson: cheshire, anglo-irish, first set of english madrigals, second set of english madrigals, o'rianna's farewell, thomas morley, trinity college dublin, holy, lord god almighty. James Graham: scottish aristocrat, covenanter, royalist commander, the great montrose, my dear and only love, wars of the three kingdoms, thirty years' war, magdalen carnegie.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Thomas Bateson: Longing, Sorrow, Tenderness. James Graham: Sorrow, Despair, Fear.

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