Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the twilight years of Elizabeth I's reign and throughout the tumultuous early decades of the seventeenth century, when England stood at the crossroads between medieval traditions and modern innovations, one composer quietly crafted some of the most exquisite musical settings of poetry ever written. Martin Peerson, born around 1571 and dying in 1651, lived through one of the most extraordinary periods in English cu…
In the pantheon of Elizabethan literary giants, where Shakespeare reigns supreme and Marlowe commands reverence, the name George Peele often languishes in relative obscurity. Yet this neglect does a profound disservice to a playwright and poet whose contributions to English literature were both innovative and influential. Born around 1556 and dying in 1596 at the tragically young age of forty, Peele packed into his b…
Martin Peerson:
march, cambridgeshire, st. paul's cathedral, william byrd, thomas tallis, christopher marlowe, william shakespeare, mottects or grave chamber musique.
George Peele:
london, christ's hospital, broadgates hall, oxford, university wits, the arraignment of paris, the old wives' tale, edward i.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.