Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the twilight years of Elizabeth I's reign and throughout the tumultuous early decades of the seventeenth century, when England stood at the crossroads between medieval traditions and modern innovations, one composer quietly crafted some of the most exquisite musical settings of poetry ever written. Martin Peerson, born around 1571 and dying in 1651, lived through one of the most extraordinary periods in English cu…
In the golden twilight of the English Renaissance, when madrigals flourished in the courts and cathedrals of England and Ireland, few composers demonstrated such exquisite taste in wedding poetry to music as Thomas Bateson. Born around 1575 in the rolling countryside of Cheshire, this Anglo-Irish composer would become one of the most significant figures of the late Elizabethan and early Jacobean musical landscape, le…
They overlapped for 56 years (1575–1630).
When Thomas Bateson was born, Martin Peerson was about 4.
Martin Peerson was about 59 when Thomas Bateson died.
Martin Peerson:
march, cambridgeshire, st. paul's cathedral, william byrd, thomas tallis, christopher marlowe, william shakespeare, mottects or grave chamber musique.
Thomas Bateson:
cheshire, anglo-irish, first set of english madrigals, second set of english madrigals, o'rianna's farewell, thomas morley, trinity college dublin, holy, lord god almighty.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.