A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Martin Peerson Martin Peerson

Poet B

Orlando Gibbons Orlando Gibbons
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 78% Blended 78%
Swap sides Another related pair
Martin Peerson

Martin Peerson

c. 1571 – 16 January 1651 (~80)
1 live poem · English

In the twilight years of Elizabeth I's reign and throughout the tumultuous early decades of the seventeenth century, when England stood at the crossroads between medieval traditions and modern innovations, one composer quietly crafted some of the most exquisite musical settings of poetry ever written. Martin Peerson, born around 1571 and dying in 1651, lived through one of the most extraordinary periods in English cu…

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Sorrow, Longing, Despair
Orlando Gibbons

Orlando Gibbons

25 December 1583 – 5 June 1625 (~42)
1 live poem · English

In the golden twilight of the English Renaissance, when the virgin queen's court still echoed with the music of lutes and virginals, Orlando Gibbons emerged as one of England's most distinctive and enduring composers. Born into a world where music served both earthly pleasure and divine worship, Gibbons would craft a legacy that bridged the sacred and secular realms with unparalleled artistry. His compositions, parti…

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Sorrow, Despair, Spirituality

In time

Martin Peerson
Orlando Gibbons
1571 1651
They overlapped for 43 years (1583–1625). When Orlando Gibbons was born, Martin Peerson was about 12. Martin Peerson was about 54 when Orlando Gibbons died.

On the map

About 128 km separate March, Cambridgeshire, England from Oxford, England. Both have ground in England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

Martin Peerson only

Orlando Gibbons only

From the biographies

music composer secular sacred compositions anonymous

Martin Peerson: march, cambridgeshire, st. paul's cathedral, william byrd, thomas tallis, christopher marlowe, william shakespeare, mottects or grave chamber musique. Orlando Gibbons: oxford, king's college, william gibbons, edward gibbons, chapel royal, this is the record of john, the silver swan, lais now old.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The spring of joy is dry
Martin Peerson
70%
Compare
The silver swan
Orlando Gibbons

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Martin Peerson: Sorrow, Longing, Despair. Orlando Gibbons: Sorrow, Despair, Spirituality.

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