Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the twilight years of Elizabeth I's reign and throughout the tumultuous early decades of the seventeenth century, when England stood at the crossroads between medieval traditions and modern innovations, one composer quietly crafted some of the most exquisite musical settings of poetry ever written. Martin Peerson, born around 1571 and dying in 1651, lived through one of the most extraordinary periods in English cu…
John Cooper, better known under the Italianate name Giovanni Coperario, was born about 1570 and died in 1626. He belongs to that fascinating generation of English composers who lived through the final decades of Elizabeth I’s reign and the culturally ambitious courts of James I and Charles I. His surviving music does not offer the sheer quantity of William Byrd’s output, the public prominence of Thomas Morley’s print…
Martin Peerson:
march, cambridgeshire, st. paul's cathedral, william byrd, thomas tallis, christopher marlowe, william shakespeare, mottects or grave chamber musique.
John Cooper:
giovanni coperario, funeral teares, songs of mourning, prince henry, elizabethan england, jacobean court, stewart dynasty, thomas campion.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.