A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Martin Peerson Martin Peerson

Poet B

Robert Southwell Robert Southwell
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 70% Blended 70%
Swap sides Another related pair
Martin Peerson

Martin Peerson

c. 1571 – 16 January 1651 (~80)
1 live poem · English

In the twilight years of Elizabeth I's reign and throughout the tumultuous early decades of the seventeenth century, when England stood at the crossroads between medieval traditions and modern innovations, one composer quietly crafted some of the most exquisite musical settings of poetry ever written. Martin Peerson, born around 1571 and dying in 1651, lived through one of the most extraordinary periods in English cu…

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Sorrow, Longing, Despair
Robert Southwell

Robert Southwell

c. 1561 – 21 February 1595 (~34)
2 live poems · English

In the flickering light of Elizabethan England, where the flames of religious persecution cast long shadows over the realm of Queen Elizabeth I, Robert Southwell stands as one of the most compelling figures in English literary and spiritual history. Born around 1561 and executed in 1595 at the tender age of thirty-three or thirty-four, Southwell was at once a Jesuit priest risking everything for his faith, a clandest…

Neighbourhood: Death & Mortality, Devotional Poets, Elizabethan Poets, Metaphysical Poets, Mystical & Spiritual Poets, Renaissance Poets
Emotional landscape: Sorrow, Despair, Fear

In time

Martin Peerson
Robert Southwell
1561 1651
They overlapped for 25 years (1571–1595). When Martin Peerson was born, Robert Southwell was about 10. Martin Peerson was about 24 when Robert Southwell died.

On the map

About 82 km separate March, Cambridgeshire, England from Norwich, England. Both have ground in England and London.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Martin Peerson: march, cambridgeshire, st. paul's cathedral, william byrd, thomas tallis, christopher marlowe, william shakespeare, mottects or grave chamber musique. Robert Southwell: norfolk, jesuit priest, the burning babe, counter-reformation, tyburn, richard southwell, bridget copley, leonard lessius.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The spring of joy is dry
Martin Peerson
74%
Compare
I Die Alive
Robert Southwell
The spring of joy is dry
Martin Peerson
73% love
Compare
Loves Garden Grief
Robert Southwell

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Martin Peerson: Sorrow, Longing, Despair. Robert Southwell: Sorrow, Despair, Fear.

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