Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the golden twilight of the English Renaissance, when the echoes of Shakespeare's verse still rang through London's theaters and the madrigal reached its most exquisite flowering, Thomas Weelkes emerged as one of the most distinctive and emotionally powerful composers of his generation. Born around 1576 and dying in 1623, Weelkes lived through one of the most extraordinary periods in English cultural history, creat…
“It were needless to commend the worth of music to a noble and understanding disposition: for in the natures of arts and generous spirits there is a sympathy.”
Richard Lovelace, born on 9 December 1617 and dead by 1657, occupies a distinctive place in English literary history as one of the finest poets associated with the Cavalier tradition. His name is inseparable from two of the most frequently quoted lyrics of the seventeenth century: “I could not love thee, Dear, so much, / Loved I not Honour more” and “Stone walls do not a prison make, / Nor iron bars a cage.” Such mem…
Neighbourhood:
Cavalier Poets, Love Poets, Metaphysical Poets, Restoration Poets
They overlapped for 7 years (1617–1623).
When Richard Lovelace was born, Thomas Weelkes was about 41.
Richard Lovelace was about 6 when Thomas Weelkes died.
Thomas Weelkes:
elstead, winchester college, chichester cathedral, as vesta was from latmos hill descending, the triumphes of oriana, madrigals to 3, 4, 5, & 6 voyces, ayeres or phantasticke spirites, edmund spenser.
Richard Lovelace:
cavalier tradition, charterhouse school, gloucester hall, to althea, from prison, to lucasta, going to the warres, sir william lovelace, george goring, royalist.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
