In the twilight years of the English Renaissance, as the golden age of the madrigal began to fade and the court of King James I embraced new continental fashions, a composer emerged whose delicate art would capture the essence of a transforming musical landscape. John Attey, though his name may not resonate with the same authority as his contemporaries John Dowland or Thomas Campion, created a body of work that stand…
Compare Poets
Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Poet A
John Attey
Poet B
William Corkine
Compare two related contemporaries
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 76%
Blended 76%
Swap sides
Another related pair
William Corkine, born about 1580 and apparently dead by about 1620, belongs to that compelling class of Renaissance artists whose surviving work is far more substantial than the surviving account of their lives. No secure baptismal record has been identified for him, no portrait can confidently be attached to his name, and the documents that might reveal his parents, teachers, marriage, household, or final illness ha…
In time
John Attey
William Corkine
1580
1640
They overlapped for 23 years (1598–1620).
When John Attey was born, William Corkine was about 18.
John Attey was about 22 when William Corkine died.
On the map
About 289 km separate Burley-in-Wharfedale, Yorkshire, England from London, England. Shared ground: United Kingdom.
William Corkine
Themes they return to
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Shared
From the biographies
thomas campion
john dowland
music
songs
composer
lute
John Attey: english renaissance, king james i, west country, somerset, the first booke of ayres, sweet was the song the virgin sang, on a time the amorous silvy, come, follow me, my wandering mind. William Corkine: elizabethan period, jacobean court, ayres, the second booke of ayres, the third and last booke of ayres, lutenist, composer, bass viol.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
The world around them
While their lives overlapped
Notable events from the years they were both alive.
John Attey
1620
Relocation to London
William Corkine
Emotional landscapes
John Attey: Tenderness, Spirituality, Joy. William Corkine: Longing, Tenderness, Fear.