Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
William Corkine, born about 1580 and apparently dead by about 1620, belongs to that compelling class of Renaissance artists whose surviving work is far more substantial than the surviving account of their lives. No secure baptismal record has been identified for him, no portrait can confidently be attached to his name, and the documents that might reveal his parents, teachers, marriage, household, or final illness ha…
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
William Corkine:
elizabethan period, jacobean court, ayres, the second booke of ayres, the third and last booke of ayres, lutenist, composer, bass viol.
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.