Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
William Corkine, born about 1580 and apparently dead by about 1620, belongs to that compelling class of Renaissance artists whose surviving work is far more substantial than the surviving account of their lives. No secure baptismal record has been identified for him, no portrait can confidently be attached to his name, and the documents that might reveal his parents, teachers, marriage, household, or final illness ha…
Richard Crashaw (c.1613 – 25 August 1649) stands as one of the most distinctive and polarising voices of seventeenth-century English poetry. A poet of spiritual excess, luminous devotion, and baroque extravagance, Crashaw occupies a singular position among the so-called Metaphysical poets. Where contemporaries such as Donne and Herbert often balance intellectual ingenuity with restraint, Crashaw abandons moderation a…
They overlapped for 8 years (1613–1620).
When Richard Crashaw was born, William Corkine was about 33.
Richard Crashaw was about 7 when William Corkine died.
William Corkine:
elizabethan period, jacobean court, ayres, the second booke of ayres, the third and last booke of ayres, lutenist, composer, bass viol.
Richard Crashaw:
london, william crashaw, steps to the temple, metaphysical poets, english civil war, catholicism, nicholas ferrar, little gidding.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.