Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the twilight of the English Renaissance, when the courts of Elizabeth I and James I shimmered with the brilliance of poetry, drama, and music, there walked among the candlelit halls and intimate chambers a quiet craftsman of song — Thomas Ford. Though his name may not echo as loudly through history as those of William Byrd or John Dowland, Ford’s artistry lingers in the delicate interweaving of melody and verse, i…
William Browne of Tavistock, born about 1588 and traditionally thought to have died about 1650, is one of the most attractive and elusive figures in early seventeenth-century English poetry. He was not a major public presence on the scale of Ben Jonson, John Donne, or George Wither, nor did he leave behind the unusually full documentary record that allows historians to reconstruct the lives of some contemporaries. Ye…
Neighbourhood:
Elizabethan Poets, Love Poets, Nature Poets, Renaissance Poets
They overlapped for 61 years (1588–1648).
When William Browne, of Tavistock was born, Thomas Ford was about 8.
William Browne, of Tavistock was about 60 when Thomas Ford died.
Thomas Ford:
oxford, exeter cathedral, henry frederick, prince of wales, since first i saw your face, musicke of sundrie kindes, fair sweet cruel, chapel royal.
William Browne, of Tavistock:
devonshire, britannia's pastorals, the shepherd's pipe, george wither, exeter college, inner temple, pastoral writing, classical pastoral.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.