A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Katharine Tynan Hinkson Katharine Tynan Hinkson

Poet B

Sara Teasdale Sara Teasdale
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 72% Poems 85% Blended 78%
Swap sides Another related pair
Katharine Tynan Hinkson

Katharine Tynan Hinkson

23 January 1861 – 2 April 1931 (~70)
2 live poems · English

Katharine Tynan Hinkson, born Katharine Tynan on 23 January 1861 and dead on 2 April 1931, was one of the most industrious and visible Irish writers of her generation. Poet, novelist, reviewer, memoirist, editor, children’s writer, and biographer, she published with a speed and abundance that can make her career seem almost bewildering to a modern reader. Her name is most often associated with the first phase of the…

“I am not especially proud of this facility of mine. It has produced a good deal of honest work, with of course, a good deal of necessary pot-boiling, and it has made some few people happy besides myself.”

Neighbourhood: Edwardian Poets, Irish Poets, Women Poets
Emotional landscape: Longing, Sorrow, Spirituality
Sara Teasdale

Sara Teasdale

8 August 1884 – 29 January 1933 (~49)
25 live poems · English

Sara Teasdale was born on 8 August 1884 in St. Louis, Missouri, and died there on 29 January 1933. During her lifetime she became one of the best-known American lyric poets of the early twentieth century, admired for verse that appeared effortless: brief, melodious, emotionally direct, and exquisitely shaped. Her poems spoke of love, solitude, desire, beauty, loss, the changing seasons, and death. Their clarity made…

“Every beat of his rhythm, the color of each word, the ring of each rhyme, must carry his poem, as a well-laid railway track carries a train of cars, smoothly to its destination.”

Neighbourhood: American Poets, Confessional Poets, Edwardian Poets, Nature Poets, Women Poets
Emotional landscape: Longing, Sorrow, Tenderness

In time

Katharine Tynan Hinkson
Sara Teasdale
1861 1933
They overlapped for 48 years (1884–1931). When Sara Teasdale was born, Katharine Tynan Hinkson was about 23. Sara Teasdale was about 47 when Katharine Tynan Hinkson died.

On the map

About 6,289 km separate Clondalkin, County Dublin, Ireland from St. Louis, Missouri, USA. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

women woman

Katharine Tynan Hinkson: county dublin, whitehall, catholic farming family, w. b. yeats, christina rossetti, irish literary revival, shamrocks and ballads, the handsome brandons. Sara Teasdale: st. louis, sonnets to duse, helen of troy, rivers to the sea, love songs, vachel lindsay, ernst filsinger, mary institute.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Wind That Shakes the Barley
Katharine Tynan Hinkson
79%
Compare
Tides
Sara Teasdale
The Wind That Shakes the Barley
Katharine Tynan Hinkson
78% wind
Compare
The Sea Wind
Sara Teasdale
The Wind That Shakes the Barley
Katharine Tynan Hinkson
77%
Compare
The River
Sara Teasdale
Sheep and Lambs
Katharine Tynan Hinkson
77% world
Compare
There Will Come Soft Rains
Sara Teasdale
Sheep and Lambs
Katharine Tynan Hinkson
76% world
Compare
The River
Sara Teasdale
Sheep and Lambs
Katharine Tynan Hinkson
75% world
Compare
Tides
Sara Teasdale

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Katharine Tynan Hinkson: Longing, Sorrow, Spirituality. Sara Teasdale: Longing, Sorrow, Tenderness.

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