A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Nicholas Breton Nicholas Breton

Poet B

Sir John Suckling Sir John Suckling
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 69% Blended 69%
Swap sides Another related pair
Nicholas Breton

Nicholas Breton

c. 1554 – c. 1625 (~71)
1 live poem · English

In the shadowed corridors of Elizabethan and Jacobean literature, where the towering figures of Shakespeare, Spenser, and Jonson stride with immortal grace, there walks a quieter, more elusive figure — Nicholas Breton. Born around 1554 and vanishing from historical record by approximately 1625, Breton was a prolific poet, pamphleteer, and prose writer whose voice shimmered with pastoral charm, devotional fervor, and…

“A wise man is a clock that never strikes but at his home, or rather like a dial that being set right with the sun, keeps his true course in his compass.”

Neighbourhood: Devotional Poets, Elizabethan Poets, Love Poets, Nature Poets, Renaissance Poets
Emotional landscape: Joy, Tenderness, Wonder
Sir John Suckling

Sir John Suckling

10 February 1609 – 1642 (~33)
2 live poems · English

Sir John Suckling stands as one of the most vivid and enigmatic figures of the seventeenth century, a man whose life was lived with the same flamboyant intensity that characterized his verse. Born in 1609 and dying under mysterious circumstances in 1642, Suckling's brief thirty-three years encapsulate the glittering excess and underlying tragedy of the Caroline era. He is remembered today as the quintessential Cavali…

“Not knowing why a man should not use the best weapon his Creator hath given him for his defence.”

Neighbourhood: Cavalier Poets, Light Verse Poets, Love Poets, Metaphysical Poets
Emotional landscape: Irony, Longing, Sorrow

In time

Nicholas Breton
Sir John Suckling
1554 1642
They overlapped for 17 years (1609–1625). When Sir John Suckling was born, Nicholas Breton was about 55. Sir John Suckling was about 16 when Nicholas Breton died.

On the map

About 17 km separate London, England from Whitton, Middlesex, England. Both have ground in London.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Nicholas Breton: elizabethan literature, jacobean literature, the passionate shepheard, george gascoigne, the workes of a young wit, the pilgrimage to paradise, a divine looking-glasse, fantasticks. Sir John Suckling: whitton, cavalier poet, king charles i, fragmenta aurea, trinity college cambridge, gray's inn, first bishops' war, the ballad of a wedding.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Phillida and Coridon
Nicholas Breton
73% love
Compare
Why so pale and wan, fond lover
Sir John Suckling
Phillida and Coridon
Nicholas Breton
66% love
Compare
Love and Debt Alike Troublesome
Sir John Suckling

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Nicholas Breton: Joy, Tenderness, Wonder. Sir John Suckling: Irony, Longing, Sorrow.

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