Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the twilight of the Elizabethan age, as the Renaissance bloomed in England with a brilliance rivaling that of Florence or Venice, a quiet, introspective composer emerged from the Suffolk countryside to leave an indelible mark on the history of English music. John Wilbye, born in 1574 and passing in 1638, was not a flamboyant courtier, nor a prolific pamphleteer, nor even a widely traveled virtuoso. He was, rather,…
John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
John Wilbye:
diss, finch family, sir thomas finch, eastwell park, the first set of english madrigals, sweet honey-sucking bees, lady, when i behold the roses sprouting, the second set of madrigals.
John Bennet:
elizabethan england, jacobean england, madrigals to foure voyces, weeping eyes, thomas morley, john wilbye, john dowland, ralph assheton.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.