Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
George Kirbye, who died on 6 October 1634 and was probably born around 1565, belongs to the generation of English composers that brought the madrigal to one of its most graceful and expressive flowering points. He was a contemporary of Thomas Morley, John Wilbye, Thomas Weelkes, and John Bennet: musicians who absorbed Italian models and made them speak with a distinctly English accent. Kirbye was not among the most p…
John Cooper, better known under the Italianate name Giovanni Coperario, was born about 1570 and died in 1626. He belongs to that fascinating generation of English composers who lived through the final decades of Elizabeth I’s reign and the culturally ambitious courts of James I and Charles I. His surviving music does not offer the sheer quantity of William Byrd’s output, the public prominence of Thomas Morley’s print…
George Kirbye:
thomas morley, the first set of english madrigals, the triumphs of oriana, elizabethan madrigal movement, oxford university, who made thee, hob, forsake the plough?, thomas weelkes, pastoral comedy.
John Cooper:
giovanni coperario, funeral teares, songs of mourning, prince henry, elizabethan england, jacobean court, stewart dynasty, thomas campion.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.