George Kirbye, who died on 6 October 1634 and was probably born around 1565, belongs to the generation of English composers that brought the madrigal to one of its most graceful and expressive flowering points. He was a contemporary of Thomas Morley, John Wilbye, Thomas Weelkes, and John Bennet: musicians who absorbed Italian models and made them speak with a distinctly English accent. Kirbye was not among the most p…
Neighbourhood:
Elizabethan Poets, Lute-Song Composers
Emotional landscape: Wonder, Spirituality, Joy
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
Neighbourhood:
Elizabethan Poets, Lute-Song Composers
Emotional landscape: Tenderness, Joy, Longing
Themes they return to
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.
From the biographies
the first set of english madrigals
music
composer
madrigals
pastoral
George Kirbye:
thomas morley, the first set of english madrigals, the triumphs of oriana, elizabethan madrigal movement, oxford university, who made thee, hob, forsake the plough?, thomas weelkes, pastoral comedy.
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.