Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Thomas Tomkins
Edward de Vere
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the twilight of the English Renaissance, as the sun dipped behind the hills of a vanishing golden age, there stood a solitary figure whose music shimmered with the last glow of that era’s brilliance — Thomas Tomkins, composer, organist, and quiet poet of sound. Born in 1572, in the cathedral town of St. David’s, Wales, and passing into silence in 1656, in the shadowed aftermath of civil war and Puritan upheaval, T…
“If that stumble you: do not rest the quaver. But make the quaver a crotchet”
Edward de Vere, seventeenth Earl of Oxford, was born on 12 April 1550 at Castle Hedingham in Essex and died on 24 June 1604. He belongs to the most vivid and difficult company of Elizabethan figures: a hereditary magnate with a celebrated name, a cultivated courtier, a patron of writers and players, a surviving lyric poet of real accomplishment, an erratic spendthrift, and, in later centuries, the center of a remarka…
About 402 km separate St. David's, Pembrokeshire, Wales from Castle Hedingham, Essex, England. Both have ground in England.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Thomas Tomkins: st. david's, wales, william byrd, gloucester cathedral, chapel royal, o sing unto the lord a new song, the triumphs of oriana, a sad pavan for these distracted times. Edward de Vere: castle hedingham, seventeenth earl of oxford, anne cecil, sir william cecil, the paradise of dainty devices, the phoenix nest, if women could be fair and yet not fond, the labouring man that tills the fertile soil.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Thomas Tomkins: Sorrow, Tenderness, Joy. Edward de Vere: Irony, Anger, Sorrow.
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