Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Thomas Tomkins
Abraham Cowley
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the twilight of the English Renaissance, as the sun dipped behind the hills of a vanishing golden age, there stood a solitary figure whose music shimmered with the last glow of that era’s brilliance — Thomas Tomkins, composer, organist, and quiet poet of sound. Born in 1572, in the cathedral town of St. David’s, Wales, and passing into silence in 1656, in the shadowed aftermath of civil war and Puritan upheaval, T…
“To make the SemBrife Into two minums, The prick semBrife in to three”
In the tumultuous landscape of seventeenth-century English literature, few figures shine with such early brilliance yet fade with such puzzling rapidity as Abraham Cowley. Born in 1618 in London, this prodigious poet who published his first collection at fifteen, who dazzled the cavalier court and influenced an entire generation of writers, who was buried in Westminster Abbey beside Chaucer and Spenser, somehow slipp…
“I confess I should be glad to meet with some good company in my way, but I had rather go alone than with bad.”
About 358 km separate St. David's, Pembrokeshire, Wales from Fleet Street, City of London, England. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Thomas Tomkins: st. david's, wales, william byrd, gloucester cathedral, chapel royal, o sing unto the lord a new song, the triumphs of oriana, a sad pavan for these distracted times. Abraham Cowley: london, westminster abbey, edmund spenser, the faerie queene, westminster school, trinity college cambridge, english civil war, royalist.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Thomas Tomkins: Sorrow, Tenderness, Joy. Abraham Cowley: Longing, Sorrow, Wonder.
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