Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Edward de Vere, seventeenth Earl of Oxford, was born on 12 April 1550 at Castle Hedingham in Essex and died on 24 June 1604. He belongs to the most vivid and difficult company of Elizabethan figures: a hereditary magnate with a celebrated name, a cultivated courtier, a patron of writers and players, a surviving lyric poet of real accomplishment, an erratic spendthrift, and, in later centuries, the center of a remarka…
Neighbourhood:
Elizabethan Poets, Love Poets, Renaissance Poets
In the golden twilight of the English Renaissance, when the echoes of Shakespeare's verse still rang through London's theaters and the madrigal reached its most exquisite flowering, Thomas Weelkes emerged as one of the most distinctive and emotionally powerful composers of his generation. Born around 1576 and dying in 1623, Weelkes lived through one of the most extraordinary periods in English cultural history, creat…
“My years yet unripened, and this work not a little hastened, cannot promise any choice notes of music.”
They overlapped for 29 years (1576–1604).
When Thomas Weelkes was born, Edward de Vere was about 26.
Thomas Weelkes was about 28 when Edward de Vere died.
Edward de Vere:
castle hedingham, seventeenth earl of oxford, anne cecil, sir william cecil, the paradise of dainty devices, the phoenix nest, if women could be fair and yet not fond, the labouring man that tills the fertile soil.
Thomas Weelkes:
elstead, winchester college, chichester cathedral, as vesta was from latmos hill descending, the triumphes of oriana, madrigals to 3, 4, 5, & 6 voyces, ayeres or phantasticke spirites, edmund spenser.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.