Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Few composers in Western music history have lived through as much upheaval, as many transformations of faith and state, as Thomas Tallis—born around 1505 in Kent, England, and buried in 1585 in the quiet churchyard of St. Mary-at-Horn, London. To speak of Tallis is to speak of survival: not merely the survival of a man through plague, political intrigue, and religious civil war, but the survival of sacred music itsel…
In the vast and glittering tapestry of Renaissance music, where names like Palestrina, Byrd, and Dowland shimmer with canonical brilliance, there strides a figure less polished by posterity, yet no less compelling — Tobias Hume. Born in 1579, likely in the shadowed alleys of London or perhaps the rolling countryside of northern England, Hume emerges not as a cloistered churchman or courtly favorite, but as a man of t…
Thomas Tallis:
st. mary-at-horn, henry viii, edward vi, mary i, elizabeth i, waltham abbey, preces and responses, if ye love me.
Tobias Hume:
london, swedish army, duke charles, the first part of ayres, harke, harke, a souldiers resolution, captain humes poeticall musicke, the battle.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.