Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
In the twilight years of Elizabethan England, when the air itself seemed to vibrate with poetry and music, Francis Pilkington emerged as one of the most distinctive voices in the rich tapestry of Renaissance composition. Born around 1565 in the cathedral city of Chester, Pilkington would spend his seventy-three years crafting musical settings that transformed anonymous verses into enduring works of art, leaving behin…
They overlapped for 36 years (1570–1605).
When John Farmer was born, Francis Pilkington was about 5.
Francis Pilkington was about 40 when John Farmer died.
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.
Francis Pilkington:
chester, elizabethan england, lay clerk, chester cathedral, first book of songs, anonymous poems, lute song, john dowland.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.