Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
In the twilight of the Elizabethan era, as the golden age of English poetry shimmered with the final glow of Spenser, Sidney, and Shakespeare, a quieter, more intimate voice emerged from the shadows of courtly patronage and cathedral choirs — that of Thomas Greaves. Though his life remains shrouded in mystery, his music, particularly his songs set to anonymous and likely contemporary poetry, survives as a luminous te…
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.
Thomas Greaves:
midlands, southern england, elizabethan era, john dowland, songs of sundrie kindes, sir john molyneux, sir henry willoughby, choirboy.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.