Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
Jasper Mayne, born on 23 November 1604 and dead on 6 December 1672, lived at the intersection of several worlds that seventeenth-century England often tried to keep apart: the theatre and the pulpit, academic wit and ecclesiastical authority, royalist loyalty and the practical necessities of survival under a hostile regime. He was never a poet of the first rank, nor a dramatist whose name became inseparable from an a…
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.
Jasper Mayne:
hatherleigh, westminster school, christ church oxford, brian duppa, the city match, the amorous war, cavalier poetry, caroline culture.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.