Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the twilight of the Elizabethan age, when England's cultural flowering reached its zenith, a remarkable composer emerged whose keyboard works would outlive the very dynasty that witnessed his birth. Giles Farnaby, born around 1563 and departing this world in 1640, stands as one of the most distinctive voices of the English Renaissance, a master whose miniature musical portraits captured both the exuberance and mel…
James Shirley, born in September 1596 and buried on 29 October 1666, was the last major dramatist of England’s long Renaissance theatrical age. His life extended from the final years of Elizabeth I through the reigns of James I and Charles I, the civil wars, the Puritan Commonwealth, and the first years of the Restoration. That span placed him at the center of extraordinary transformations in English religion, politi…
Giles Farnaby:
elizabethan age, london, fitzwilliam virginal book, william byrd, john bull, loth to depart, woody-cock, his rest.
James Shirley:
london, merchant taylors' school, st john's college, william laud, the triumph of peace, hyde park, the ball, the lady of pleasure.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.