Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the twilight of the Elizabethan age, when England's cultural flowering reached its zenith, a remarkable composer emerged whose keyboard works would outlive the very dynasty that witnessed his birth. Giles Farnaby, born around 1563 and departing this world in 1640, stands as one of the most distinctive voices of the English Renaissance, a master whose miniature musical portraits captured both the exuberance and mel…
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
Giles Farnaby:
elizabethan age, london, fitzwilliam virginal book, william byrd, john bull, loth to depart, woody-cock, his rest.
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.