Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
John Cooper, better known under the Italianate name Giovanni Coperario, was born about 1570 and died in 1626. He belongs to that fascinating generation of English composers who lived through the final decades of Elizabeth I’s reign and the culturally ambitious courts of James I and Charles I. His surviving music does not offer the sheer quantity of William Byrd’s output, the public prominence of Thomas Morley’s print…
John Bennet:
elizabethan england, jacobean england, madrigals to foure voyces, weeping eyes, thomas morley, john wilbye, john dowland, ralph assheton.
John Cooper:
giovanni coperario, funeral teares, songs of mourning, prince henry, elizabethan england, jacobean court, stewart dynasty, thomas campion.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.