Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
In the twilight of the English Renaissance, when the courts of Elizabeth I and James I shimmered with the brilliance of poetry, drama, and music, there walked among the candlelit halls and intimate chambers a quiet craftsman of song — Thomas Ford. Though his name may not echo as loudly through history as those of William Byrd or John Dowland, Ford’s artistry lingers in the delicate interweaving of melody and verse, i…
John Bennet:
elizabethan england, jacobean england, madrigals to foure voyces, weeping eyes, thomas morley, john wilbye, john dowland, ralph assheton.
Thomas Ford:
oxford, exeter cathedral, henry frederick, prince of wales, since first i saw your face, musicke of sundrie kindes, fair sweet cruel, chapel royal.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.