Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
George Kirbye, who died on 6 October 1634 and was probably born around 1565, belongs to the generation of English composers that brought the madrigal to one of its most graceful and expressive flowering points. He was a contemporary of Thomas Morley, John Wilbye, Thomas Weelkes, and John Bennet: musicians who absorbed Italian models and made them speak with a distinctly English accent. Kirbye was not among the most p…
John Bennet:
elizabethan england, jacobean england, madrigals to foure voyces, weeping eyes, thomas morley, john wilbye, john dowland, ralph assheton.
George Kirbye:
thomas morley, the first set of english madrigals, the triumphs of oriana, elizabethan madrigal movement, oxford university, who made thee, hob, forsake the plough?, thomas weelkes, pastoral comedy.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.