Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
Few composers in Western music history have lived through as much upheaval, as many transformations of faith and state, as Thomas Tallis—born around 1505 in Kent, England, and buried in 1585 in the quiet churchyard of St. Mary-at-Horn, London. To speak of Tallis is to speak of survival: not merely the survival of a man through plague, political intrigue, and religious civil war, but the survival of sacred music itsel…
John Bennet:
elizabethan england, jacobean england, madrigals to foure voyces, weeping eyes, thomas morley, john wilbye, john dowland, ralph assheton.
Thomas Tallis:
st. mary-at-horn, henry viii, edward vi, mary i, elizabeth i, waltham abbey, preces and responses, if ye love me.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.