Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
John Farmer, born around 1570 and believed to have died sometime after 1601, perhaps as late as about 1605, occupies a curious and attractive place in the history of English Renaissance music. He was neither as prolific as Thomas Morley nor as institutionally prominent as William Byrd; he did not leave behind a large body of sacred music, a long record of court employment, or a biography richly documented by letters…
John Bennet:
elizabethan england, jacobean england, madrigals to foure voyces, weeping eyes, thomas morley, john wilbye, john dowland, ralph assheton.
John Farmer:
english madrigals, christ church cathedral, edward somerset, fair phyllis, the first set of english madrigals, elizabethan society, renaissance music, madrigal genre.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.