Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Anne Knish, credited in some accounts with the dates 1916–1917, was not a historical poet in the ordinary biographical sense. She had no childhood, family, home town, education, intimate correspondence, or grave. Rather, she was a deliberately invented literary identity, one of the central masks in the Spectra hoax, a remarkable episode in American poetry during the first years of modernism. The name “Anne Knish” bel…
In the smoky literary salons of early twentieth-century London, few figures loomed larger than John Collings Squire, a man whose influence extended far beyond his own considerable poetic output to shape an entire generation of English letters. Born on April 2, 1884, in Plymouth, Devon, Squire would become one of the most powerful literary editors of his age, a respected poet in his own right, and a lightning rod for…
“The better production of our generation has been mainly lyrical and it has been widely diffused.”
Neighbourhood:
Edwardian Poets, Georgian Poets, Modernist Poets
About 5,341 km separate
New York City, New York, USA from
Plymouth, Devon, England.
Different countries, different weather — unless a poem carries one landscape into the other.
Anne Knish:
spectra hoax, arthur davison ficke, witter bynner, davenport, iowa, hudson, new york, spectrism, opus 76, free verse.
J. C. Squire:
plymouth, blundell's school, st. john's college, the new statesman, solomon eagle, the three hills and other poems, poems and baudelaire flowers, to a bull-dog.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.