A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Emanuel Morgan Emanuel Morgan

Poet B

J. Milton Hayes J. Milton Hayes
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 61% Blended 61%
Swap sides Another related pair
Emanuel Morgan

Emanuel Morgan

1916 – 1917 (~1)
1 live poem · English

Emanuel Morgan occupies one of the most unusual positions in American literary history: he was a poet who never existed in the ordinary biographical sense, yet whose poems, reputation, controversies, and afterlife have proved remarkably real. The dates commonly attached to him, 1916–1917, refer not to the span of a human life but to the brief public career of a deliberately invented authorial persona. “Emanuel Morgan…

Neighbourhood: American Poets, Imagist Poets, Light Verse Poets, Modernist Poets, Symbolist Poets
Emotional landscape: Wonder, Spirituality, Longing
J. Milton Hayes

J. Milton Hayes

1884 – 1940 (~56)
1 live poem · English

Joseph Milton Hayes, known to the public as J. Milton Hayes, was born in Bristol on 13 January 1884 and died on 6 February 1940. During his lifetime he became one of the best-known writers of recitation verse in Britain, a poet whose work was heard as often as it was read. His celebrity rested especially on “The Green Eye of the Little Yellow God,” a narrative poem whose opening line, “There’s a one-eyed yellow idol…

“I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.”

Neighbourhood: Folk & Ballad Poets, Light Verse Poets
Emotional landscape: Sorrow, Despair, Longing

In time

Emanuel Morgan
J. Milton Hayes
1884 1940
They overlapped for 2 years (1916–1917). When Emanuel Morgan was born, J. Milton Hayes was about 32. J. Milton Hayes was about 33 when Emanuel Morgan died.

On the map

About 5,405 km separate New York City, New York, USA from Leeds, Yorkshire, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

Emanuel Morgan only

J. Milton Hayes only

From the biographies

Emanuel Morgan: spectrism, witter bynner, arthur davison ficke, santa fe, harvard university, tao te ching, mock avant-garde, poetry society of america. J. Milton Hayes: bristol, the green eye of the little yellow god, khatmandu, the punch and judy man, edwardian period, music halls, variety theatres, public recitations.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Spectres
Emanuel Morgan
75%
Compare
The Green Eye of the Little Yellow God
J. Milton Hayes

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Emanuel Morgan: Wonder, Spirituality, Longing. J. Milton Hayes: Sorrow, Despair, Longing.

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