Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Emanuel Morgan occupies one of the most unusual positions in American literary history: he was a poet who never existed in the ordinary biographical sense, yet whose poems, reputation, controversies, and afterlife have proved remarkably real. The dates commonly attached to him, 1916–1917, refer not to the span of a human life but to the brief public career of a deliberately invented authorial persona. “Emanuel Morgan…
Anne Knish, credited in some accounts with the dates 1916–1917, was not a historical poet in the ordinary biographical sense. She had no childhood, family, home town, education, intimate correspondence, or grave. Rather, she was a deliberately invented literary identity, one of the central masks in the Spectra hoax, a remarkable episode in American poetry during the first years of modernism. The name “Anne Knish” bel…
spectrismwitter bynnerarthur davison fickespectra: a book of poetic experimentsspectrahoax
Emanuel Morgan:
spectrism, witter bynner, arthur davison ficke, santa fe, harvard university, tao te ching, mock avant-garde, poetry society of america.
Anne Knish:
spectra hoax, arthur davison ficke, witter bynner, davenport, iowa, hudson, new york, spectrism, opus 76, free verse.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.