Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
E. E. Cummings
W. H. Davies
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the sun-dappled streets of Cambridge, Massachusetts, on October 14, 1894, Edward Estlin Cummings entered the world with a quiet promise of rebellion that would one day shatter the conventions of American poetry. Known to family and friends simply as Estlin, and to the world as E.E. Cummings—or, in the lowercase stylings that publishers later adopted for his name—he would become one of the twentieth century’s most…
“The most wasted of all days is one without laughter.”
William Henry Davies, known throughout his writing life as W. H. Davies, was born on 3 July 1871 at 16 Portland Street in Newport, Monmouthshire, Wales, and died on 26 September 1940 in Nailsworth, Gloucestershire. He remains one of the most unusual figures in twentieth-century British literature: a poet of birds, rain, flowers, beggars, exhausted workers, roadside freedom, and the precarious dignity of people whom r…
“Let us not judge life by its number of breaths, but by the number of times that breath is held, or lost, either under a deep emotion caused by love, or when we stand before an object of interest or beauty.”
About 5,074 km separate Boston, Massachusetts, USA from Newport, Wales. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
E. E. Cummings: cambridge massachusetts, joy farm, the enormous room, william slater brown, eimi, tulips and chimneys, anne minnerly barton, marion morehouse. W. H. Davies: newport, monmouthshire, the soul destroyer, leisure, george bernard shaw, edward thomas, super-tramp, the autobiography of a super-tramp.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
E. E. Cummings: Longing, Tenderness, Sensuality. W. H. Davies: Tenderness, Wonder, Longing.
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