A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

James Nack James Nack

Poet B

William Ernest Henley William Ernest Henley
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 66% Poems 83% Blended 74%
Swap sides Another related pair
James Nack

James Nack

4 January 1809 – 23 September 1879 (~70)
2 live poems · English

James Nack, born 4 January 1809 and dead on 23 September 1879, occupies a curious and important place in the literary history of the United States. He was a poet whose reputation, during the most active years of his career, rested as much upon the apparent improbability of his achievement as upon the verse itself. Nack was deaf, and nineteenth-century readers repeatedly treated that fact as the central explanation fo…

Neighbourhood: American Poets, Death & Mortality, Light Verse Poets, Love Poets, Victorian Poets
Emotional landscape: Longing, Tenderness, Wonder
William Ernest Henley

William Ernest Henley

23 August 1849 – 11 July 1903 (~54)
8 live poems · English

William Ernest Henley was born on 23 August 1849 in Gloucester, England, and died on 11 July 1903 at Woking, Surrey. He occupies an unusual place in English literary history: widely remembered by the public for a single short poem, “Invictus,” yet far more consequential in his own age as a poet, editor, critic, journalist, dramatist, and formidable presence in literary society. Henley’s life was shaped by physical pa…

“At his best as at his worst, however, he was always an artist in his way.”

Neighbourhood: Confessional Poets, Death & Mortality, Victorian Poets
Emotional landscape: Sorrow, Despair, Longing

In time

James Nack
William Ernest Henley
1809 1903
They overlapped for 31 years (1849–1879). When William Ernest Henley was born, James Nack was about 40. William Ernest Henley was about 30 when James Nack died.

On the map

About 5,271 km separate Schenectady, New York, USA from Gloucester, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

James Nack: new york city, the legend of the rocks, deaf and dumb, new york institution for the deaf and dumb, american romanticism, nineteenth-century poetry, antebellum america, landscape poetry. William Ernest Henley: gloucester, woking, invictus, thomas edward brown, joseph lister, in hospital sequence, anna boyle, margaret emma henley.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Think of Me
James Nack
78% love
Compare
O, gather me the rose
William Ernest Henley
Think of Me
James Nack
74% life, world
Compare
The Blackbird
William Ernest Henley
Think of Me
James Nack
72% life
Compare
Margaritæ Sorori
William Ernest Henley
The Music of Beauty
James Nack
72% world
Compare
The Blackbird
William Ernest Henley
Think of Me
James Nack
72% life
Compare
Life is bitter
William Ernest Henley
Think of Me
James Nack
71% life
Compare
When the wind storms by with a shout
William Ernest Henley

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

James Nack: Longing, Tenderness, Wonder. William Ernest Henley: Sorrow, Despair, Longing.

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