A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Grace Hazard Conkling Grace Hazard Conkling

Poet B

Helen Hoyt Helen Hoyt
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 76% Poems 74% Blended 75%
Swap sides Another related pair
Grace Hazard Conkling

Grace Hazard Conkling

7 February 1878 – 15 November 1958 (~80)
2 live poems · English

Grace Hazard Conkling, born Grace Walcott Hazard in New York City on 7 February 1878, belonged to a generation of American women whose intellectual ambitions were increasingly supported by women’s colleges, international study, and new professional opportunities, even as marriage and motherhood still imposed demanding social expectations. She became a poet, teacher, musician, critic of children’s reading, and a forma…

“I don't mean to be sentimental about children, I want to be just. But I do believe that beauty is often real to them when we cannot see it, because they have not yet had time to get tired of anything.”

Neighbourhood: American Poets, Love Poets, Nature Poets, Women Poets
Emotional landscape: Wonder, Sensuality, Longing
Helen Hoyt

Helen Hoyt

22 January 1887 – 2 August 1972 (~85)
2 live poems · English

Helen Hoyt, born on 22 January 1887 in Norwalk, Connecticut, and dead on 2 August 1972, belonged to the generation of American poets that came of age just as literary modernism was remaking the possibilities of verse. She was a poet, editor, anthologist, and perceptive advocate for new writing, yet her name has often remained at the edges of accounts dominated by more famous contemporaries. That relative obscurity ca…

“These contentions are true, but everyone grants the convenience and justice of such categories as French Poetry, Spanish Poetry—Greek, German, Hindu Poetry—and is there not as great difference, in physical make-up, in psychology, custom and history, between the people called Men and the people called Women?”

Neighbourhood: American Poets, Confessional Poets, Imagist Poets, Modernist Poets, Women Poets
Emotional landscape: Longing, Tenderness, Sensuality

In time

Grace Hazard Conkling
Helen Hoyt
1878 1972
They overlapped for 72 years (1887–1958). When Helen Hoyt was born, Grace Hazard Conkling was about 9. Helen Hoyt was about 71 when Grace Hazard Conkling died.

On the map

About 67 km separate New York City, New York, USA from Norwalk, Connecticut, USA. Shared ground: United States.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

women

Grace Hazard Conkling: new york city, smith college, hilda conkling, symphony of a mexican garden, wilderness songs, roscoe platt conkling, tampico, charles-marie widor. Helen Hoyt: norwalk, connecticut, barnard college, poems of amis, the name of a rose, others for 1919, harriet monroe, william carlos williams.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Andaluza
Grace Hazard Conkling
67%
Compare
In the Park
Helen Hoyt
Andaluza
Grace Hazard Conkling
64%
Compare
Stature
Helen Hoyt
Python
Grace Hazard Conkling
62%
Compare
In the Park
Helen Hoyt
Python
Grace Hazard Conkling
59%
Compare
Stature
Helen Hoyt

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Grace Hazard Conkling: Wonder, Sensuality, Longing. Helen Hoyt: Longing, Tenderness, Sensuality.

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