A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Claude McKay Claude McKay

Poet B

Jean Toomer Jean Toomer
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 66% Blended 66%
Swap sides Another related pair
Claude McKay

Claude McKay

15 September 1890 – 22 May 1948 (~58)
5 live poems · English

In the pantheon of American literary history, few figures embody the contradictions and complexities of the twentieth century quite like Claude McKay. Born Festus Claudius McKay on September 15, 1890, in the verdant hills of Clarendon Parish, Jamaica, this poet, novelist, and essayist would become one of the most powerful voices of the Harlem Renaissance, despite spending much of his life in restless exile from the m…

“Why should a Negro's love poetry be offensive to the white man, who prides himself on being modern and civilized?”

Neighbourhood: African American Poets, Harlem Renaissance, Political Poets, Social Justice Poets
Emotional landscape: Longing, Sorrow, Spirituality
Jean Toomer

Jean Toomer

26 December 1894 – 30 March 1967 (~73)
1 live poem · English

On December 26, 1894, in Washington, D.C., Nathan Pinchback Toomer was born into a world of racial complexity that would profoundly shape his literary vision and personal identity. Known to history as Jean Toomer, this enigmatic figure would produce one of the most celebrated works of the Harlem Renaissance before retreating into relative obscurity, leaving behind a legacy as puzzling as it is profound. His life stor…

“I am not a Negro. I am not a white man. I am a man.”

Neighbourhood: African American Poets, American Poets, Harlem Renaissance, Modernist Poets, Mystical & Spiritual Poets, Nature Poets, Social Justice Poets
Emotional landscape: Longing, Sensuality, Sorrow

In time

Claude McKay
Jean Toomer
1890 1967
They overlapped for 55 years (1894–1948). When Jean Toomer was born, Claude McKay was about 4. Jean Toomer was about 54 when Claude McKay died.

On the map

About 2,326 km separate Clarendon Parish, Jamaica from Washington, D.C., USA. Shared ground: United States.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

harlem renaissance harlem racial identity

Claude McKay: clarendon parish, jamaica, harlem renaissance, if we must die, the white house, harlem shadows, walter jekyll, red summer. Jean Toomer: washington d.c., harlem renaissance, sparta, georgia, pinckback benton stewart pinchback, nina pinchback toomer, karenitha, cotton song, reapers.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

A Red Flower
Claude McKay
65% beauty
Compare
Karintha
Jean Toomer
If We Must Die
Claude McKay
65% world
Compare
Karintha
Jean Toomer
Africa
Claude McKay
64% world
Compare
Karintha
Jean Toomer
Truth
Claude McKay
63% world
Compare
Karintha
Jean Toomer
Tetuan
Claude McKay
60% beauty
Compare
Karintha
Jean Toomer

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Claude McKay: Longing, Sorrow, Spirituality. Jean Toomer: Longing, Sensuality, Sorrow.

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