Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Stéphane Mallarmé
Franklin P. Adams
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the hushed apartment at 89 rue de Rome in Paris, amid the blue cigarette smoke of Tuesday evenings, a soft-spoken schoolteacher held court over the most revolutionary minds in French literature. Stéphane Mallarmé, a man who published fewer than seventy poems in his lifetime, would become one of the most influential figures in modern poetry, transforming language itself into a cathedral of suggestion and silence. H…
“Everything in the world exists to culminate in a book.”
Franklin Pierce Adams, known almost everywhere in print by the compact and memorable signature “F. P. A.,” was born in Chicago, Illinois, on 15 November 1881, and died in New York City on 23 March 1960. During the first half of the twentieth century, he became one of America’s most recognizable newspaper humorists, a poet of urbane light verse, an editor, anthologist, critic, and central presence in the literary soci…
“Nothing is more responsible for the good old days than a bad memory.”
About 6,648 km separate Paris, Île-de-France, France from Chicago, Illinois, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.
Stéphane Mallarmé: paris, symbolists, surrealists, l'azur, hérodiade, l'après-midi d'un faune, claude debussy, mardis. Franklin P. Adams: chicago, new york city, f. p. a., baseball's sad lexicon, the conning tower, algonquin round table, in cupid's court, tobogganing on parnassus.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Stéphane Mallarmé: Sorrow, Spirituality, Longing. Franklin P. Adams: Irony, Longing, Sorrow.
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